Sunday, July 26, 2009
"Nothing is different but everything's changed"
Lyrical inspiration for this post from Bishop Allen-“Calendar”
Empire, Tropical Medicine, and Conrad
Brunel and Bristol
Photography and Photoshop
By contrast to the Victorian confidence in their new technology, in the twenty-first century we have taken a much more skeptical view to photography. We are quick to denounce anything incredible to a trick of the mind and the mouse. With a few clicks, Photoshop and airbrushing can take any image and alter it almost to the point of being unrecognizable. In the public arena, what we are looking at is rarely what the photographer was seeing. Thus, we have gained a cynicism regarding commercial photography which has slipped into our scientific images as well. One can surely remember looking through images in a text book or paper and wondering that they could possibly be real. A biology text book certainly provides many opportunities for the photography skeptic to criticize.
Still, maybe the Victorians could have used some of our cynicism. It has been questioned whether the scientific photos in which Darwin placed so much faith were not actually staged. The man who is most prominent in the series who claimed to be a subject because he was not pained by the electrodes has been said to be acting to a certain extent. The true question becomes, however, whether this was a nineteenth century criticism or a twenty-first. The difference lies in the faith in technology.
On birthday presents and the Victorians
More broadly than this, the very style in which the story is written is very much a product of its time. Instead of there being a narrator who tells the entire story from a third party perspective, the story is told through the journals, newspaper clippings, diaries, and telegraphs sent between the characters or saved by them. The post works so efficiently that they can send multiple letters in a morning and the telegraph technology is even speedier. The railway system which facilitated the growth of the telegraphs are also referenced multiple times as Dr. Van Helsing traverses between his home and London and the characters travel throughout England. Still, this all is made apparent through their private records rather than an omniscient narrator. This detail is important because it presents the story in a similar way as Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. Without calling it a “case” per se, Stoker tells his story as if it is a case record. Indeed, the characters themselves compile and read the very collection of information which the reader is holding. This self-referential plot detail demonstrates that the characters view the story as a case which they must study and solve, and thus professionalizes the story in a similar way that Stevenson’s “case” does. There are certainly endless ways in which Dracula is a product of its time, yet for me at about half way through both the book and this course, these are the ones that struck me.
Revolutionary Recliners
The emotions expressed in this simple sentence are particularly interesting when considered with the fact that Darwin was considered to be a “conservative revolutionary.” There is a line from the Oasis song “Don’t Look Back in Anger” that says “gonna start a revolution from my bed” (doubly relevant because we heard it covered in Scotland; here it is live Manchester). The song intends the lyrics to be facetious and a display of the singer’s ambivalence. Yet, this is almost literally what Darwin ended up doing, a hundred fifty years before the words were written. Following his marriage, he ensconced himself at Downe House attempting quite respectably to make a quiet life for himself. As his ideas brought him somewhat reluctantly into the limelight, Darwin remained above the fray, communicating to most people by letter but doing so fervently. While he may have gone through the motions of leading a quiet life, however, Darwin and his contributions cannot be said to be anything short of revolutionary. It was exactly his wanderings on the Beagle that enabled these ideas to flourish. Therefore, not only did his travels unfit him for a quiet life, but actually made the life of the local clergyman an impossibility for Darwin. He was too changed by them and in some ways took on a life of their own. So even while Darwin remained quietly at home writing thousands of letters, he did indeed start a revolution from his bed—or at least his armchair.
Historical Places Redeisgned
Friday, July 24, 2009
Technology and Bedlam
It is easily forgotten that these charts were as much innovations as other new medical tools like stethoscopes or specialized surgical tools were. The concept of taking someone's pulse, for example, was not new; the concept of counting the pulse, recording it, and quantitatively comparing how it changed over time or with new treatments was. Even while other changes were resisted, these methods crept into the record books at treatment-conservative Bedlam. Thus while the treatments may have stayed the same during the time recorded in the books we looked through, things at Bedlam were slowly integrating new technologies that allowed for the better care of patients.
Monday, July 13, 2009
The Hunterian and RCSE
While the collection at the Royal College of Surgeons Edinburgh at first may seem extremely similar, the differences quickly become apparent. This collection was never meant for public consumption but rather to teach exclusively. Even the physical placement of the collection within the building is telling—the upper level balcony which would physically give way were too many people to tread across it houses shelves of jars which can be seen by the public below but not touched. Importantly, the jars arranged on the shelves all contain diseased or abnormal human specimens and are all able to be held and examined closer by the medical student who might be researching. In general, one must pass inspection to be allowed up among the specimens. Further, while each jar in the Hunterian Collection is clearly labeled and explained, often with the names of those who were the prior owners, the jars among the teaching collection are anonymous. The prize piece in London was the Irish giant who was displayed in the center, well lit, and next to a small person wasting away of bone disease for comparison. Meanwhile, the centerpiece of the Edinburgh collection is less clear and certainly less prominent. It could be argued to be the case of Livingston’s broken arm, as this is the only piece with a name associated and certainly the only one with a 2 foot wide poster explaining its significance.
I am not sure what to make of this contrast in methodologies or reasons for presenting these valuable and informative collections in such differing manners. Yet, the difference between the newcomer and the professionalized, the public and the institutional, and the prized and the educational is marked in the comparison of the two collections.
Crossness

Before our visit to the Crossness Pumping station, I had no idea what to expect. I knew that it was a sewage pumping station, but I wasn’t entirely sure what that meant; I knew that it was a feat of 19th century engineering, but I didn’t have a whole lot with which to compare it; I knew that it would be ornamented in a typically Victorian fashion, but wasn’t sure how that would translate into something inherently involved with human excrement; finally, I knew that it would have smelt, but I didn’t know how much would linger a century and a half later.
With such conflicted expectations (can those even rightfully be called expectations?), I arrived at Crossness and was completely blown away. The sheer size of each engine was far beyond the scale that I had imagined, let alone seeing four of them in the same room. The decoration of each engine was equally incredible, with the restored engine painted in vibrant greens and reds. When the four beam engines worked to pull the city’s sludge up from far below the ground where it had settled and bring it up to be dumped into the Thames, they must have been quite a site. Although it at first seemed odd to name anything to do with sewage after members of the royal family, seeing just the single engine in action and fully painted seemed to earn it the title.
What Crossness made real for me was the amount of pride the Victorians put into their work. Every task was a feat but simultaneously no detail was ignored. They not only overcame the problem through their engineering but did it in style. The dignity that they clearly felt spread over society so completely as to include even the sewage pump station. And the fact that it still smells 150 years later is only a testament to the Victorian work ethic, which created something that is still used today, at least in part.
TB today
Cholera and Contingency
Sunday, July 5, 2009
History without Historicizing
Blood, Sawdust, and Vampires
The floor boards of the operating area form a false floor, being laid upon joists which rest upon the true floor: the 3 inch (7.5cm) space between is packed with sawdust. This would ensure that any blood which reached the floor was absorbed before it could pass into the church below. A mop and bucket in the corner would be used to clean up after the operation.
The image of blood-soaked sawdust is pretty horrible to thing about, but worse is the image of blood dripping onto people in the church downstairs. Blood loss must have been excessive during these operations, which though speedy were radical. I am currently about half-way through reading Bram Stoker’s Dracula, in which there are several scenes featuring blood transfusions. The fictional tale makes it seem to be a highly personal and threatening procedure, even referring to it as an operation. Further, there is no mention made of the blood clots and other problems that we now know to be issues when non-compatible blood types are mixed. With all the blood loss that was apparently a part of operations during the time, I am curious to learn more about transfusion possibilities, procedures, and problems.
Survival of the Fittest: Darwin and Wallace
Yes, Wallace’s paper was published in 1858 and
Wednesday, July 1, 2009
Microscopes and the Great Exhibition
Yet, at the time, this was the cutting edge of technology and a clever business man was charging two pence for the spectacle of seeing live mites in cheese which looked “as large as black beetles” despite the fact there were probably a lot of live mites in a lot of hunks of cheese sitting in non-refrigerators all over London. The Great Exhibition was meant to be a display of power by Albert and